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Cinema
Wales Sinema Cymru
Film
Making Contacts in Wales
Beth
ywch hoff ffilm chi?

Photo
Courtesy of Sgrîn
On an Awareness of Power, Cool Cymru, and the Possibilities
Trying
now to reflect on the overall tone of the contributions to this brief
survey of a contemporary Wales on screen, one is to an extent struck
by their variety, but it is also hard to escape the fact that the balance
remains pessimistic. Arguably this is an unfashionable pessimism given
the impetus by the Assembly and the various components of the so-called
Cool Cymru. Again and again though, contributors draw attention
to the possibilities apparent in the Welsh position only to then
go on to give accounts of how these are wasted or thwarted, either by
public policy makers or by the social and economic conditions created
by the global industries . . .It would be a distortion to say that nothing
is changing . . . If this book is to have a true value, it will make
its contribution to the growing awareness of a powerful role for all
the creative talents involved in film in Wales and add its voice to
those who will urge policy makers not to ignore the so-called cultural
industries when faced with an array of more politically pressing
priorities. Steve Blandford, Ed., Wales
On Screen 2000.
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Every
major studio today relies on its film library for billions of
dollars of residual income, considered the industry's cash-cow
assets. Try eliminating every film from these libraries, that
includes a Welsh-descended (Esther Williams, D.W. Griffith, Shirley
Jones) or Welsh-born film actor or director (Christian Bale, Sir
Stanley Baker, John
Rhys Davies, Catherine
Zeta Jones, Sir
Richard Burton, Edith Evans, Hugh Griffith, Kenneth
Griffith, Edmund Gwenn, Sir
Anthony Hopkins, Ray Milland, Lyn Harding, Jack Howells, Rhys
Ifans, Terry Jones, Philip Madoc, Ivor
Novello, Dame
Siân Phillips, Jonathan
Pryce, Paul Rhys, Geraint Wyn Davies, Desmond Llewelyn, Emlyn
Williams, Rhys Williams, to name a few) and you'll find their
collections dwindle.
Why
Welsh Film? Mark Leslie Woods SinemaCymru Review
2002.
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Oscar-Nominated Welsh Actor Sir Richard Burton
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In
the film schools they used to teach us how the French (Les Frères
Lumières), Germans (Lang, Fassbinder), Russians (Dovzhenko,
Eisenstein), Italians (Fellini, Bertolucci), Jews (take your
pick), and recently gays, blacks, hispanics all were
distinct groups who built Hollywood or influenced
U.S. cinema. The time has come to amend our histories
to include those indomitable, creative spirits, sometimes overlooked
by the stages of London, who found success in America
the Welsh actors, writers, and musicians, unforgetable stars
in the saga of the silver screen.
Why
Welsh Film? Mark Leslie Woods SinemaCymru Review
2002.
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Hugh Grant & Tara Fitzgerald in The Englishman
who went up a hill but came down a mountain, written and directed
by Christopher Monger. Filmed on location in Wales.
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